BEYOND
BURNING MAN
FREQUENTLY ASKED QUESTIONS
What is Burning Man?
Why are you making a documentary about it?
What story will BEYOND BLACK ROCK tell?
How will you tell the story?
What makes BEYOND BLACK ROCK different from previous Burning
Man documentaries?
Who will be featured in BEYOND BLACK ROCK?
Who's making BEYOND BLACK ROCK?
When did the film begin production?
In what format is BEYOND BLACK ROCK being shot?
When will the film be completed?
What form will the final version of the film take?
Where can I see the film?
What
is Burning Man?
Each summer, in the week leading up to Labor Day, more
than 25,000 people converge on an ancient lakebed in Nevada for an experiment
in radical self-expression and self-reliance.
In the unforgiving elements of the Black Rock Desert, a city is raised and
populated by a vast community of organizers, artists and freedom-seekers from
all walks of life.
Why
are you making a documentary about it?
The construction of a temporary city of 30,000 in the
desert each summer is staggering in itself. Add to that the sheer volume of
sculptures and structures, art cars, and theme camps, and there's more than
enough to make a culturally significant documentary.
What we find most impressive, though, is the community - the thousands worldwide
for whom Burning Man transcends the annual event, becoming equal parts lifestyle
and ethos.
Against the backdrop of global economic, political and social strife, the
organizers, artists and participants of Burning Man abide by a social contract
that encourages community, kindness and complete freedom of expression. As
a utopia in microcosm, Burning Man speaks to society at large, providing an
example of the best aspects of human creativity and interaction.
What
story will BEYOND BLACK ROCK tell?
BEYOND BLACK ROCK will reveal how the utopian ideals
of Burning Man - free expression, social participation and humanitarian consciousness
- are preserved, supported and advanced through the dedication and year-round
efforts of the community.
The underlying
theme of the film is that idealism can only be put into practice when it is
driven by commitment and hard work.
How
will you tell the story?
Spanning the year between the 2002 and 2003 gatherings,
the film will chronicle the work of Burning Man LLC, whose staff plans, designs
and builds Black Rock City under the watchful eye of Burning Man founder Larry
Harvey.
The film will
also trace the yearlong creative process of several artists, documenting -
from concept to creation - their contributions to the cultural tapestry of
Black Rock City.
These profiles of artists and participants, along with insights into the organization's
inner workings, will converge to form the structural foundation of the film:
Black Rock City itself.
Having met the human faces behind the lifestyle, viewers will see Black Rock
City as the marvel that it truly is - a five-square-mile city bursting with
sculptures, art cars, and theme camps. A planned community with daily newspapers
and radio stations, a Department of Public Works and Rangers to ensure public
safety and provide vital information.
The voice of the documentary will be that of the organizers, artists and participants.
Their narrative will drive the film, giving full weight to personal experiences
as the defining elements.
The filmmakers will make careful and measured choices when choosing stylistic
elements. For this particular story, the driving force will be the people
themselves - the personalities that shape the Burning Man event from the high
profile artists to the unseen organization crew. Each of these subjects has
a different style and approach to their work that should be represented.
We plan to use a mixture of formal interview footage and fieldwork to give
a (sometimes iconic) view of each of our main subjects. The formal interview
will be shot in traditional format, but often focusing on the individual characteristics
and mannerisms of the subject. The field photography will have a more sweeping
approach. Shots will utilize a "you are there" type of feel to help
immerse the viewer in the experience and keep from distancing the subjects.
Edits will range from the traditional to the surprising and perhaps incongruous.
One of the most interesting aspects of the Black Rock City's organization
is its seeming impossibility and mixing of the concrete with the abstract.
Edit and shot layout will follow this pattern. Establishing shots, close ups,
tracking shots and similar traditional technique will serve to give the viewer
a sense of grounding. Then the mixing of odd edits, seemingly unmatched shots
that make sense only after viewing the entire work, motion effects that enhance
certain elements will allow a sense of mystery and wonder (one of the more
provocative elements of the event itself) to remain intact.
What
makes BEYOND BLACK ROCK different from previous Burning Man documentaries?
BEYOND BLACK ROCK is being produced with the full cooperation
of the Burning Man organization, which views this point in time as a significant
turning point in the community's history, and is eager to chronicle where
they've come from and where they're going. The Project Staff is actively participating
in shooting and production, and this unprecedented level of access ensures
that this film will offer the most in-depth examination of the organization
and its work ever undertaken.
While many documentaries
have been made for the purpose of conveying the experience of Burning Man,
BEYOND BLACK ROCK will fully chronicle, for the first time, the planning and
preparation required to conduct the festival on an annual basis, and how this
commitment serves as a binding force for a world-wide, year-round community.
Who
will be featured in BEYOND BLACK ROCK?
The film will feature key members of the organization,
from founder Larry Harvey and other senior staff, to members of the Rangers,
Department of Public Works, Greeters, Lamp Lighters, and volunteers.
It will also profile and follow artists as they take their projects from concept
to completion, exploring the unique philosophy of "temporary art"
and the significant hurdles in creating, transporting and sharing the hundreds
of art projects that adorn the playa each year.
Finally, the film will explore the immediate experience of Burning Man participants
- those who attend the event and make up the population of this unique city.
Who's
making BEYOND BLACK ROCK?
BEYOND BLACK ROCK is being produced by Austin, Texas-based
Gone Off Deep Productions (www.goneoffdeep.com), established in 2002 by producer
Michael S. Wilson. Overseeing cinematography are Director Damon Brown and
Director of Photography Rob VanAlkemade, with additional and specialized footage
from videographer Carrie Schultz. The crew at this year's Burning Man event
will include videographers and audio professionals from across the US contributing
their talent to the project. We have received footage shot by the Burning
Man org and independent artists like the aerial and time-lapse photography
of Tim Childs, as well as footage shot by Bay area based Ian Inaba and Stephen
Marshall, also known as GNN. William Haskins is the project's story supervisor
and assistant producer, and the film will feature original music by composer
Allen Robertson.
Contributing to
the project as Executive Consultants are noted documentary filmmaker and author
Bruce Jackson and director and Charger Entertainment owner Sundae. Legal issues
are handled by General Counsel Michael Lee Jackson.
When
did the film begin production?
Gone Off Deep began pre-production in May of 2002,
shooting the first footage at Burning Man '02. To date, the producers have
captured over 100 hours of footage of the event itself, along with interviews
with senior staff members, organizational meetings and the works-in-progress
of Burning Man artists.
In
what format is BEYOND BLACK ROCK being shot?
BEYOND BLACK ROCK is being shot on Sony's DVCam format
with some contributed content on mini DV. For professional journalists and
documentarians, the DVCam format is fast becoming a very cost effective, quality
video alternative to traditional larger production formats like BetaSP. Not
only will the DVCam footage we shoot integrate well with the archival footage
we're receiving from past Burning Man participants, but also the construction
of the DVCam format cameras themselves is a boon when shooting in harsh or
rugged conditions. The cameras are small and can be toted by a single operator
for many hours while still producing a broadcast level of video quality. DVCam
has come into its own in recent years by proving itself in the field of journalism,
sometimes taking center stage in the 2003 war in Iraq as a small, easily transportable,
and effective communication and documentation tool.
After shooting and digital editing, the final movie will undergo extensive
audio and video sweetening and adjusting, including the de-interlacing of
the video fields, to give the finished product a more "film" look
and remove some of the harsh, brassy edges and colors produced by video. You
can see some of that process at work in the trailers for BEYOND BLACK ROCK,
which are a combination of DVCam, mini DV, and even other formats all mixed
down and post-processed to flow together in what we hope will be a seamless
fashion.
The musical score for BEYOND BLACK ROCK will be completely written by composer
Allen Robertson based on the final cut and, unlike the process of using "canned"
or pre-recorded tracks, will help the themes on stories of the documentary
to be felt on all levels, from the visual to the auditory.
When
will the film be completed?
Shooting will wrap at the end of Burning Man '03, completing
the full one-year cycle between the 2002 and 2003 events. Post-production
will then begin, with the film slated for completion in early 2004.
What
form will the final version of the film take?
BEYOND BLACK ROCK will be a feature-length documentary
(with an approximate running time of two hours). In addition, extended materials
will be made available, including in-depth profiles of artists and key personalities
behind the event.
Where
can I see the film?
Gone Off Deep is currently exploring a variety of distribution
and broadcast cable options. Information will be added to the website as it
becomes available.
Currently, there are two promotional trailers available at www.goneoffdeep.com.
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